• Literary Rights | Option and Purchase Agreement

    THANKS FOR WATCHING! Do you have book that you want to make into a movie or know someone who has a great idea to adapt a book into a film? Share this blog! ➡SUBSCRIBE: https://www.youtube.com/channel/UCK5IAnkzhJRlBbpzUk4sSEA ➡ For more information on the legal implications and protections for your film project, contact the Law Office of Celia Cho for a free consultation. Email: info@cclegalresource.com (323) 285-0507 http://www.cclegalresource.com/contactus ___ ➡ DIXON DERN, ESQ. http://www.dixlaw.com/ Tel: (310) 275-2003 Email: ddern@dixlaw.com ___ ➡ MUSIC BY: Artist: Nino Rota & Carlo Savina Title: Love Theme from "The Godfather" Listen on iTunes: https://itun.es/us/0MBr5?i=960870844 ___ ➡ FOLLOW THE LAW OFFICE OF CELIA CHO FACEBOOK: https://www.facebook.com/Law-Office-o... INSTA...

    published: 31 May 2017
  • What is LITERARY PROPERTY? What does LITERARY PROPERTY mean? LITERARY PROPERTY meaning & explanation

    What is LITERARY PROPERTY? What does LITERARY PROPERTY mean? LITERARY PROPERTY meaning - LITERARY PROPERTY definition - LITERARY PROPERTY explanation. Source: Wikipedia.org article, adapted under https://creativecommons.org/licenses/by-sa/3.0/ license. SUBSCRIBE to our Google Earth flights channel - https://www.youtube.com/channel/UC6UuCPh7GrXznZi0Hz2YQnQ Literary property is a term used in publishing to refer to works generally covered by copyright but also an associated set of property rights that go far beyond what courts have historically permitted to be claimed as copyright infringement. The Writers Guild of America, for instance, uses this term exclusively to refer to works registered with its WGA script registration service, so as not to restrict the claims it or its users can m...

    published: 03 Jul 2017
  • Alliance of Independent Authors & literary agency, Toby Mundy Associates, announce a unique right...

    The Alliance of Independent Authors works with IPR License, Pubmatch to help their members sell subsidiary rights and now also has a dedicated agent for Professional Members, Toby Mundy of TMA, in association with Ed Victor Ltd. The latest news from ALLi is an ALLi Members' Rights Guide which TMA will circulate at the London Book Fair and Frankfurt Book Fair. Join Orna and Toby as they talk about the author's way through the maze of rights and how ALLi can help. Bring your own rights questions. Can't make it? Catch up later on ALLi's YouTube Channel:  www.youtube.com/user/indieauthoralli  Or via our Self-Publishing Author Advice Centre www.selfpublishingadvice.org  Event starts at 8pm BST/London Global Times: November 24th 2015 at 12noon PST (Vancouver) / 3pm EST  (New York City / 6p...

    published: 25 Nov 2015
  • Language We Breathe In | Ian Casocot | TEDxSillimanU

    Ian Rosales Casocot, a literary writer, considers the English Only policy for grade schools when he was growing up, a widespread practice in the Philippines, and considers the often paradoxical impact of that practice on literary writing, on self-expression, and on people’s perception of their culture. “English played a significant role in the development of the national literature, but to truly appreciate literature as a means with which writers can truly express themselves, there is no other literary language than the one that we born into.” Ian Rosales Casocot is a novelist and teaches film, literature, and creative writing in Silliman University in Dumaguete City. He has won the Palanca Award several times, and has also won the NVM Gonzalez Prize, a PBBY Salanga Writers Prize, and th...

    published: 21 Feb 2018
  • Emma Watson at the HeForShe Campaign 2014 - Official UN Video

    Emma Watson, British actor and UN Women Goodwill Ambassador, co-hosts a special event for UN Women’s HeForShe campaign. The HeForShe campaign is a solidarity movement for gender equality which calls upon men and boys to help end the persisting inequalities faced by women and girls globally. Full event coverage: http://webtv.un.org/search/launch-of-the-heforshe-campaign-special-event/3797140848001?term=heforshe

    published: 22 Sep 2014
  • Literary Festival 2015: High Culture and the Western Canon: has the fightback begun?

    Speaker(s): Professor Sarah Churchwell, Jonty Claypole, Maya Jaggi, Frederic Raphael Chair: Professor Maurice Fraser Recorded on 27 February 2015. With the BBC having announced a remake of Kenneth Clark's TV series Civilisation, and Melvyn Bragg’s intellectual cornucopia on Radio 4, In Our Time, now in its 17th year, we will be asking whether the mission of Lord Reith 'to educate, inform and entertain' is alive and well. Can Matthew Arnold, TS Eliot and FR Leavis sleep well in their graves? Has the era of dumbing down to ' widen access ' run its course? Why shouldn't ALL schoolchildren be asked to grapple with the 'difficult' texts, rich canvases or musical scores of our western inheritance? Why shouldn't everyone have the chance to join the 'elite'? Sarah Churchwell is Professor of Am...

    published: 05 Mar 2015
  • Literary Festival 2015: A Magna Carta for Humanity: homing in on human rights

    Speaker(s): Professor Francesca Klug Chair: Professor Conor Gearty Recorded on 27 February 2015. The Magna Carta, sealed in 1215, has come to stand for the rule of law, curbs on executive power and the freedom to enjoy basic liberties. When the Universal Declaration of Human Rights was adopted by the United Nations in 1948, it was heralded as 'a Magna Carta for all human kind'. How has the Magna Carta, initially considered a failure, achieved such iconic status? And can how those who proudly commemorate its 800th year simultaneously pledge to repeal the more modern laws which seek to protect our fundamental rights and freedoms? In A Magna Carta for Humanity: homing in on human rights, published by Routledge to coincide with the 800th anniversary of the Magna Carta in June 2015, Fran...

    published: 05 Mar 2015
  • THE GUERNSEY LITERARY Trailer (2018)

    Official The Guernsey Literary And Potato Peel Pie Society Movie Trailer 2018 | Subscribe ➤ http://abo.yt/kc | Lily James Movie Trailer | Release: 20 Apr 2018 | More https://KinoCheck.de/film/soc/guernsey A writer develops bonds with the residents of Guernsey when she writes a book about their experiences of the Nazi occupation on the island during World War II. Based on the novel The Guernsey Literary and Potato Peel Pie Society. #Guernsey is the new drama by Mike Newell, starring Lily James, Jessica Brown Findlay and Matthew Goode. Our gaming-channel ➤ http://youtube.com/Spiele Note | The Guernsey Literary And Potato Peel Pie Society #Trailer courtesy of StudioCanal. | All Rights Reserved. | KinoCheck®

    published: 14 Feb 2018
  • How to improve your English writing skills? - Free English lesson

    How to improve your English writing skills? - Free English lesson I will share easy and quick tips that will improve writing in formal and academic settings. • Avoid using contractions – Do not use contractions while constructing your sentences, esp. if you are writing a business email or formal letters i.e. words like don’t, can’t, shouldn’t, couldn’t, wouldn’t, isn’t, haven’t should be avoided. • Avoid there are/ there is – It will make your sentence more lengthy and boring to read. e.g There are many problems in her class (incorrect) Her class is facing many problems. (Correct) There is an exhibition at the hotel. (Incorrect) The hotel is holding an exhibition. (Correct) • Avoid using unnecessary words in your sentences like very; really, a lot instead use better vocabulary. It ...

    published: 03 Dec 2014
  • Ward Churchill: Indigenous Rights and Resistance

    Get text notifications when OVOC is streaming live. Text OVOC to 570-904-2216. The Current Fantasy: https://www.patreon.com/othervoicesotherchoices Ward Churchill spoke at Binghamton University on April 14, 2007.

    published: 19 Jan 2013
  • Ollie Brock: Re-imagining the literary essay

    Building digital capacity for the arts Seminar 5: Rights and IP Ollie Brock, Digital Archive Researcher, outlines his approach to rights clearances in the context of London Review of Books' re-imagining of the literary essay for free digital arts service, The Space. This video is for arts organisations and artists from across England who want to learn from and share experiences about the use, exploitation and development of rights models around new and archive material on digital platforms. BBC Academy and Arts Council England have joined forces to offer training and guidance to the arts sector across England on how to maximize the creation and distribution of high quality arts content for audiences on digital platforms, including online, mobile and internet protocol television. The Bu...

    published: 17 Jul 2012
  • Writing the Literature Review (Part One): Step-by-Step Tutorial for Graduate Students

    Take the mystery out of this academic assignment. All you do is: (1) Gather the summaries of your sources. (2) Put the summaries in groups based on theme. (4) Write a paragraph on each group of sources with transitions between each source. 4. Add introduction and conclusion paragraphs. You're done! For examples of previously written literature reviews, see: http://libguides.uwf.edu/c.php?g=215199&p=1420828

    published: 28 Jun 2010
  • Literary Festival 2011 - This House Believes that the Future of Rights is Left not Right

    Speakers: David Davis MP, Professor Conor Gearty Chair: Professor Francesca Klug This event was recorded on 17 February 2011 in Wolfson Theatre, New Academic Building For the past twenty weeks Conor Gearty has been writing a collaborative book online, at www.therightsfuture.com, with an essay appearing weekly alongside regular longer items and occasional brief remarks on current affairs, with each post being open for comment from the general public. Many have replied with dedication and commitment. The result is a series of essays, discussions and critical engagements addressing such issues as the meaning of human rights, the relationship between human rights and political action, and the role of religion in human rights. Essays have included 'Do trees have rights?' and 'Up with the Union...

    published: 21 Feb 2011
  • Keavy Martin: Indigenous Literature, Literary Theory

    UAlberta and English and Film Studies professor Keavy Martin's research interests revolve around Indigenous literatures and literary theory, with a focus on Inuit literature and performance; Indigenous research methodologies; Indigenous languages; Indigenous literary nationalism and literary history; Aboriginal rights, treaties, and land claims; and the concept and practice of reconciliation.

    published: 14 Jan 2016
  • TRADE SECRETS: LITERARY AGENT

    So, you want to be a literary agent, or find out what they actually do? Juliet Mushens gives us a peek into what her job involves! Created as part of http://www.wbdteenfest.com

    published: 04 Mar 2015
  • 2017 PEN America Literary Gala: Publisher Honoree John Sargent, Macmillan

    At the PEN America Literary Gala on April 25, 2017, at the American Museum of Natural History in New York, PEN America honors Macmillan Publishers CEO John Sargent for his fierce advocacy for the right to publish and for serving as a defender of publishers’ and authors’ intellectual property rights.

    published: 26 Apr 2017
  • Literary Adaptation (A Love Story) English 1110 TTh

    I do not own the rights to the pictures or the music. This is an assignment for My TTh English 1110 Class. Please do not sue me.

    published: 05 Dec 2017
  • A Brief Introduction to Marxism

    This presentation looks at the basic idea of Marxism, specifically the conflict between the different classes in society.

    published: 02 Aug 2013
  • Padmapriya and Sabnam Hashmi on human right's in India | KLF 2018

    Padmapriya in conversation with Sabnam Hashmi: The State of Human Rights in Today’s India

    published: 20 Feb 2018
  • HOW TO MAKE IT as a Literary Agent (Top 5 Tips - Cathryn Summerhayes, WME)

    Part 1 of 'Secret Tips' for those wanting to be an intern/apprentice in the literary agent field, with big cheese at WME, Cathryn Summerhayes. For more industries go to http://theintern.co.uk Cathryn Summerhayes http://www.wmeauthors.co.uk/ P.S. Apologies for the audio - the mic failed & the air con drowned everything out! But if you listen closely you'll still be able to hear the pearls of wisdom fall out! Enjoy Dillon Khan http://twitter.com/dillonkhan Cathryn has been a literary agent at WME since November 2006. She works alongside WME's New York agents selling UK rights for high-profile US clients such as Anita Shreve, Matthew Pearl, Jed Rubenfeld, Stephen Dubner & Steven Levitt, Kathy Reichs, Alice Munro, Karen Thompson Walker and Curtis Sittenfeld. Cathryn has a burgeoning stab...

    published: 16 Apr 2013
  • Literary Agents & Scouts Centre (LitAg) of the Frankfurt Book Fair 2014

    The trade in rights, the procurement of titles for translation, the licensing of works for audio book adaptations and suchlike - these activities make up the core business of the Frankfurt Book Fair participants. The content business at the Frankfurt Book Fair is focusing increasingly on value addition based on crossmedial approaches to content, projects and book characters, as well as the licensing of brands and characters, both into and out of the publishing world. More: http://www.buchmesse.de/en/Focus_on/rights/

    published: 27 Oct 2014
  • What is LITERARY AGENT? What does LITERARY AGENT mean? LITERARY AGENT meaning & explanation

    What is LITERARY AGENT? What does LITERARY AGENT mean? LITERARY AGENT meaning & explanation. A literary agent (often synonymous with "publishing agent") is an agent who represents writers and their written works to publishers, theatrical producers, film producers and film studios, and assists in the sale and deal negotiation of the same. Literary agents most often represent novelists, screenwriters and non-fiction writers. They are paid a fixed percentage (usually twenty percent on foreign sales and ten to fifteen percent for domestic sales) of the proceeds of sales they negotiate on behalf of their clients. Literary agents exist largely to provide services to authors. These services include connecting the author's work with appropriate publishers, contract negotiation, ensuring payment ...

    published: 13 Aug 2016
  • Deaf Politics: Literary Expressions of Ethnocide Abstract

    This abstract in International Sign is for the 7th International Deaf Academics and Researchers Conference: http://deafacademics2015.com/call-for-abstracts/ This is the English version of the abstract: Deaf Politics and the Right to Life: Literary Expressions of Ethnocide “No one suggests the safest cure. A change of heart,/a tender understanding, a pair of hands signing.” Raymond Luczak’s “How to Cure Deafness” This talk looks at the power of literature in fostering a Deaf bioethics and dismantling harmful schemas about Sign Language Peoples (SLPs). My research methodology derives from cognitive literary studies. I examine how the cognitive processes involved in reading fiction’s imagined dystopic futures, which bring about “The End” of SLPs, affects perspectives on group rights for d...

    published: 10 Feb 2015
  • How to Copyright Your Literary,Dramatic, Musical and Artistic Work

    http://www.intellectualpropertystore.com The important facts you need to know about how to copyright your literary, dramatic, musical and artistic work. So what is a copyright? A copyright gives you exclusive rights to original works of authorship. You can use copyrights to protect poems, novels, books, movies, songs, photographs, art, web sites, computer software, and architecture. Copyright protection does not protect facts, ideas, systems, or methods of operation, although it may protect the way these things are expressed. Currently, it only costs $35 to file an application for registering your material for copyright protection at the U.S. Copyright Office, if it is done electronically. As a result, if you feel you have something of significant value, it's a no brainier to apply for ...

    published: 30 Oct 2013
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Literary Rights | Option and Purchase Agreement

Literary Rights | Option and Purchase Agreement

  • Order:
  • Duration: 16:09
  • Updated: 31 May 2017
  • views: 92
videos
THANKS FOR WATCHING! Do you have book that you want to make into a movie or know someone who has a great idea to adapt a book into a film? Share this blog! ➡SUBSCRIBE: https://www.youtube.com/channel/UCK5IAnkzhJRlBbpzUk4sSEA ➡ For more information on the legal implications and protections for your film project, contact the Law Office of Celia Cho for a free consultation. Email: info@cclegalresource.com (323) 285-0507 http://www.cclegalresource.com/contactus ___ ➡ DIXON DERN, ESQ. http://www.dixlaw.com/ Tel: (310) 275-2003 Email: ddern@dixlaw.com ___ ➡ MUSIC BY: Artist: Nino Rota & Carlo Savina Title: Love Theme from "The Godfather" Listen on iTunes: https://itun.es/us/0MBr5?i=960870844 ___ ➡ FOLLOW THE LAW OFFICE OF CELIA CHO FACEBOOK: https://www.facebook.com/Law-Office-o... INSTAGRAM: https://www.instagram.com/cclegalreso... WEBSITE: https://cclegalresource.com/ SUBSCRIBE: https://cclegalresource.com/blog/ *This video was not sponsored by anyone. DISCLAIMER: (A) Any information in this video and the Business & Legal Affairs channel is for general informational purposes and advertisement only and not legal or business advice. Prior results on a matter does not guarantee the same or similar results on a different matter as each case is fact specific with various factors unique to each case. (B) Please do not submit confidential information. This channel, the information contained herein, or the exchange of communications through this channel does not create an attorney-client relationship. After a free consultation, if you’d like the Law Office of Celia Cho to represent you in your matter, we must sign a written agreement specifying our legal representation and the attorney-client relationship.
https://wn.com/Literary_Rights_|_Option_And_Purchase_Agreement
What is LITERARY PROPERTY? What does LITERARY PROPERTY mean? LITERARY PROPERTY meaning & explanation

What is LITERARY PROPERTY? What does LITERARY PROPERTY mean? LITERARY PROPERTY meaning & explanation

  • Order:
  • Duration: 1:56
  • Updated: 03 Jul 2017
  • views: 35
videos
What is LITERARY PROPERTY? What does LITERARY PROPERTY mean? LITERARY PROPERTY meaning - LITERARY PROPERTY definition - LITERARY PROPERTY explanation. Source: Wikipedia.org article, adapted under https://creativecommons.org/licenses/by-sa/3.0/ license. SUBSCRIBE to our Google Earth flights channel - https://www.youtube.com/channel/UC6UuCPh7GrXznZi0Hz2YQnQ Literary property is a term used in publishing to refer to works generally covered by copyright but also an associated set of property rights that go far beyond what courts have historically permitted to be claimed as copyright infringement. The Writers Guild of America, for instance, uses this term exclusively to refer to works registered with its WGA script registration service, so as not to restrict the claims it or its users can make regarding their rights. Since it applies only to literary works and not technological or social constructs such as are covered by patent or trademark law, the term is much narrower in scope than the hotly contested term "intellectual property" sometimes used to refer to all non-physical works in which property rights are recognized. Among other differences, in literary works a very specific concept of attribution is a critical part of the work itself - works tend to become markedly less valued or more valued based upon who originated or created it, which is simply not the case for inventions or brand names. Also, most countries recognize moral rights that are not alienable from the work, that is, a purchaser of rights in the work does not have the right to relabel it as if someone else had written it. While the USA does not recognize moral rights, it does have complex de facto standards such as the WGA screenwriting credit system which are actually more demanding and rigorous in specific industries.
https://wn.com/What_Is_Literary_Property_What_Does_Literary_Property_Mean_Literary_Property_Meaning_Explanation
Alliance of Independent Authors & literary agency, Toby Mundy Associates, announce a unique right...

Alliance of Independent Authors & literary agency, Toby Mundy Associates, announce a unique right...

  • Order:
  • Duration: 42:06
  • Updated: 25 Nov 2015
  • views: 428
videos
The Alliance of Independent Authors works with IPR License, Pubmatch to help their members sell subsidiary rights and now also has a dedicated agent for Professional Members, Toby Mundy of TMA, in association with Ed Victor Ltd. The latest news from ALLi is an ALLi Members' Rights Guide which TMA will circulate at the London Book Fair and Frankfurt Book Fair. Join Orna and Toby as they talk about the author's way through the maze of rights and how ALLi can help. Bring your own rights questions. Can't make it? Catch up later on ALLi's YouTube Channel:  www.youtube.com/user/indieauthoralli  Or via our Self-Publishing Author Advice Centre www.selfpublishingadvice.org  Event starts at 8pm BST/London Global Times: November 24th 2015 at 12noon PST (Vancouver) / 3pm EST  (New York City / 6pm BRST (Sao Paolo) / 8pm GMT (London) / 10pm SAST (Johannesburg) /and November 25th at 1.30am IST (Dehli) and 7am AEDT (Sydney)
https://wn.com/Alliance_Of_Independent_Authors_Literary_Agency,_Toby_Mundy_Associates,_Announce_A_Unique_Right...
Language We Breathe In | Ian Casocot | TEDxSillimanU

Language We Breathe In | Ian Casocot | TEDxSillimanU

  • Order:
  • Duration: 19:42
  • Updated: 21 Feb 2018
  • views: 45
videos
Ian Rosales Casocot, a literary writer, considers the English Only policy for grade schools when he was growing up, a widespread practice in the Philippines, and considers the often paradoxical impact of that practice on literary writing, on self-expression, and on people’s perception of their culture. “English played a significant role in the development of the national literature, but to truly appreciate literature as a means with which writers can truly express themselves, there is no other literary language than the one that we born into.” Ian Rosales Casocot is a novelist and teaches film, literature, and creative writing in Silliman University in Dumaguete City. He has won the Palanca Award several times, and has also won the NVM Gonzalez Prize, a PBBY Salanga Writers Prize, and the FullyBooked/Neil Gaiman Philippine Graphic/Fiction Prize for his fiction. His books include Heartbreak & Magic: Stories of Fantasy and Horror, Don't Tell Anyone (co-authored by Shakira Sison) and Bamboo Girls. He was a writer-in-residence for the International Writers Program of the University of Iowa in the United States in 2010. When he's not fighting for media literacy, LGBTQI rights, and cultural heritage, he's watching movies and writing his next book. He is the founding coordinator of the Edilberto and Edith Tiempo Creative Writing Center. He shares his apartment with a coffee maker and his cat, Pusheen. Ian Rosales Casocot is a novelist and teaches film, literature, and creative writing in Silliman University in Dumaguete City. He has won the Palanca Award several times, and has also won the NVM Gonzalez Prize, a PBBY Salanga Writers Prize, and the FullyBooked/Neil Gaiman Philippine Graphic/Fiction Prize for his fiction. His books include Heartbreak & Magic: Stories of Fantasy and Horror, Don't Tell Anyone (co-authored by Shakira Sison) and Bamboo Girls. He was a writer-in-residence for the International Writers Program of the University of Iowa in the United States in 2010. When he's not fighting for media literacy, LGBTQI rights, and cultural heritage, he's watching movies and writing his next book. He is the founding coordinator of the Edilberto and Edith Tiempo Creative Writing Center. He shares his apartment with a coffee maker and his cat, Pusheen. This talk was given at a TEDx event using the TED conference format but independently organized by a local community. Learn more at https://www.ted.com/tedx
https://wn.com/Language_We_Breathe_In_|_Ian_Casocot_|_Tedxsillimanu
Emma Watson at the HeForShe Campaign 2014 - Official UN Video

Emma Watson at the HeForShe Campaign 2014 - Official UN Video

  • Order:
  • Duration: 13:16
  • Updated: 22 Sep 2014
  • views: 2337247
videos
Emma Watson, British actor and UN Women Goodwill Ambassador, co-hosts a special event for UN Women’s HeForShe campaign. The HeForShe campaign is a solidarity movement for gender equality which calls upon men and boys to help end the persisting inequalities faced by women and girls globally. Full event coverage: http://webtv.un.org/search/launch-of-the-heforshe-campaign-special-event/3797140848001?term=heforshe
https://wn.com/Emma_Watson_At_The_Heforshe_Campaign_2014_Official_Un_Video
Literary Festival 2015: High Culture and the Western Canon: has the fightback begun?

Literary Festival 2015: High Culture and the Western Canon: has the fightback begun?

  • Order:
  • Duration: 1:25:33
  • Updated: 05 Mar 2015
  • views: 8278
videos
Speaker(s): Professor Sarah Churchwell, Jonty Claypole, Maya Jaggi, Frederic Raphael Chair: Professor Maurice Fraser Recorded on 27 February 2015. With the BBC having announced a remake of Kenneth Clark's TV series Civilisation, and Melvyn Bragg’s intellectual cornucopia on Radio 4, In Our Time, now in its 17th year, we will be asking whether the mission of Lord Reith 'to educate, inform and entertain' is alive and well. Can Matthew Arnold, TS Eliot and FR Leavis sleep well in their graves? Has the era of dumbing down to ' widen access ' run its course? Why shouldn't ALL schoolchildren be asked to grapple with the 'difficult' texts, rich canvases or musical scores of our western inheritance? Why shouldn't everyone have the chance to join the 'elite'? Sarah Churchwell is Professor of American Literature and Public Understanding of the Humanities at UEA. She is the author of Careless People: Murder, Mayhem and The Invention of The Great Gatsby, The Many Lives of Marilyn Monroe, and her literary journalism has appeared in the Guardian, New Statesman, TLS, New York Times Book Review, and the Spectator, among others. She comments regularly on arts, culture, and politics for UK television and radio, has judged many literary prizes, including the Bailey’s (Orange) Prize for Fiction and the 2014 Man Booker Prize for Fiction, and she is the 2015 Eccles Centre Writer in Residence at the British Library. Jonty Claypole is Director of Arts at the BBC. He works across television, radio and online, ensuring the BBC succeeds in its mission of "Arts for Everyone". As a director then executive producer, he has made over 100 television documentaries for BBC Television, including landmark series like Seven Ages of Britain, A History of Art in Three Colours, A Very British Renaissance and Andrew Marr's Great Scotts. He has created strands like What Do Artists Do All Day, Secret Knowledge and In Their Own Words. He also runs BBC Television's in-house arts department with production teams right across the country. Maya Jaggi is a cultural journalist and critic who has reported from five continents, and was contracted as one of Guardian Review’s leading profile writers for a decade.She has also written for the FT, Independent, Sunday Times Culture, Daily Telegraph, Economist and Newsweek; and was writer-presenter of the BBC4 TV documentary Isabel Allende: The Art of Reinvention. Her conversations with cultural theorist Stuart Hall were made into a four-hour film by Mike Dibb. She has judged literary awards including the Dublin Impac and Orange, and chaired the jury of the Man Asian in Hong Kong. Educated at Oxford and LSE, she was described as “one of Britain’s most respected arts journalists” by the Open University, which awarded her an honorary doctorate in 2012. Frederic Raphael, a major scholar in classics at St John's College, Cambridge, has written over twenty-five novels and volumes of short stories, as well as essays, biographies, translations and many reviews. His most recent book on the ancient world is A Jew Among the Romans about Flavius Josephus. His second volume of autobiography, Going Up, will be published next year. So will his novel Private Views. Among his many film and television scripts are Darling, Two for the Road, the Glittering Prizes and Stanley Kubrick's Eyes Wide Shut. His most recent script, This Man This Woman is due to be shot next year. The LSE European Institute (@LSEEI) was established in 1991 as a dedicated centre for the interdisciplinary study of processes of integration and fragmentation within Europe. In the most recent national Research Assessment Exercise, the Institute was ranked first for research in European Studies in the United Kingdom. The LSE European Institute has been a Jean Monnet Centre of Excellence since 2009. This event forms part of the LSE Space for Thought Literary Festival 2015, taking place from Monday 23 - Saturday 28 February 2015, with the theme 'Foundations'.
https://wn.com/Literary_Festival_2015_High_Culture_And_The_Western_Canon_Has_The_Fightback_Begun
Literary Festival 2015: A Magna Carta for Humanity: homing in on human rights

Literary Festival 2015: A Magna Carta for Humanity: homing in on human rights

  • Order:
  • Duration: 1:28:47
  • Updated: 05 Mar 2015
  • views: 485
videos
Speaker(s): Professor Francesca Klug Chair: Professor Conor Gearty Recorded on 27 February 2015. The Magna Carta, sealed in 1215, has come to stand for the rule of law, curbs on executive power and the freedom to enjoy basic liberties. When the Universal Declaration of Human Rights was adopted by the United Nations in 1948, it was heralded as 'a Magna Carta for all human kind'. How has the Magna Carta, initially considered a failure, achieved such iconic status? And can how those who proudly commemorate its 800th year simultaneously pledge to repeal the more modern laws which seek to protect our fundamental rights and freedoms? In A Magna Carta for Humanity: homing in on human rights, published by Routledge to coincide with the 800th anniversary of the Magna Carta in June 2015, Francesca Klug will argue that the reasons given for opposing the UKs Human Rights Act are very similar to the reasons that the Magna Carta has stayed relevant for eight centuries. Features that are lauded as ‘totemic’ when applied to the Magna Carta are condemned as ‘dangerous’ when applied to contemporary human rights laws. Are human rights palatable in a mature democracy only as long as they are contained in an ancient document that no longer has any direct legal impact? Are they useful only as a benchmark by which to judge the rest of the world, especially our enemies or rivals, but dangerous when applied to us? Join us for an enlightening discussion, in which Professors Klug and Gearty map the connections between the Magna Carta and Human Rights Act, explore the ethic behind universal human rights and deconstruct the current debate in the UK on the future of human rights protection. Francesca Klug is Professorial Research Fellow in the Centre for the Study of Human Rights. Conor Gearty (@conorgearty) is Professor of Human Rights Law at LSE and Director of LSE’s Institute of Public Affairs. The Centre for the Study of Human Rights at LSE (@LSEHumanRights) is a trans-disciplinary centre of excellence for international academic research, teaching and critical scholarship on human rights. This event forms part of the LSE Space for Thought Literary Festival 2015, taking place from Monday 23 - Saturday 28 February 2015, with the theme 'Foundations'.
https://wn.com/Literary_Festival_2015_A_Magna_Carta_For_Humanity_Homing_In_On_Human_Rights
THE GUERNSEY LITERARY Trailer (2018)

THE GUERNSEY LITERARY Trailer (2018)

  • Order:
  • Duration: 2:40
  • Updated: 14 Feb 2018
  • views: 1125
videos
Official The Guernsey Literary And Potato Peel Pie Society Movie Trailer 2018 | Subscribe ➤ http://abo.yt/kc | Lily James Movie Trailer | Release: 20 Apr 2018 | More https://KinoCheck.de/film/soc/guernsey A writer develops bonds with the residents of Guernsey when she writes a book about their experiences of the Nazi occupation on the island during World War II. Based on the novel The Guernsey Literary and Potato Peel Pie Society. #Guernsey is the new drama by Mike Newell, starring Lily James, Jessica Brown Findlay and Matthew Goode. Our gaming-channel ➤ http://youtube.com/Spiele Note | The Guernsey Literary And Potato Peel Pie Society #Trailer courtesy of StudioCanal. | All Rights Reserved. | KinoCheck®
https://wn.com/The_Guernsey_Literary_Trailer_(2018)
How to improve your English writing skills? - Free English lesson

How to improve your English writing skills? - Free English lesson

  • Order:
  • Duration: 14:16
  • Updated: 03 Dec 2014
  • views: 1683187
videos
How to improve your English writing skills? - Free English lesson I will share easy and quick tips that will improve writing in formal and academic settings. • Avoid using contractions – Do not use contractions while constructing your sentences, esp. if you are writing a business email or formal letters i.e. words like don’t, can’t, shouldn’t, couldn’t, wouldn’t, isn’t, haven’t should be avoided. • Avoid there are/ there is – It will make your sentence more lengthy and boring to read. e.g There are many problems in her class (incorrect) Her class is facing many problems. (Correct) There is an exhibition at the hotel. (Incorrect) The hotel is holding an exhibition. (Correct) • Avoid using unnecessary words in your sentences like very; really, a lot instead use better vocabulary. It will definitely not change the meaning of your sentence but will make it sound interesting. Students think literature is very hard. Students think literature is difficult. • Make use of strong verbs – It will make your sentence sound more appropriate and concrete. He gave assistance to my friend. (weak verb) My friend assisted him. (Strong verb)
https://wn.com/How_To_Improve_Your_English_Writing_Skills_Free_English_Lesson
Ward Churchill: Indigenous Rights and Resistance

Ward Churchill: Indigenous Rights and Resistance

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  • Duration: 56:07
  • Updated: 19 Jan 2013
  • views: 2419
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Get text notifications when OVOC is streaming live. Text OVOC to 570-904-2216. The Current Fantasy: https://www.patreon.com/othervoicesotherchoices Ward Churchill spoke at Binghamton University on April 14, 2007.
https://wn.com/Ward_Churchill_Indigenous_Rights_And_Resistance
Ollie Brock: Re-imagining the literary essay

Ollie Brock: Re-imagining the literary essay

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  • Duration: 16:20
  • Updated: 17 Jul 2012
  • views: 365
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Building digital capacity for the arts Seminar 5: Rights and IP Ollie Brock, Digital Archive Researcher, outlines his approach to rights clearances in the context of London Review of Books' re-imagining of the literary essay for free digital arts service, The Space. This video is for arts organisations and artists from across England who want to learn from and share experiences about the use, exploitation and development of rights models around new and archive material on digital platforms. BBC Academy and Arts Council England have joined forces to offer training and guidance to the arts sector across England on how to maximize the creation and distribution of high quality arts content for audiences on digital platforms, including online, mobile and internet protocol television. The Building Digital Capacity for the Arts programme, announced in September 2010, will support the development of the arts sector's media production skills by bringing together the BBC Academy's media and digital experience with the Arts Council's extensive knowledge of the arts sector. The initial programme runs from March 2011 - August 2012 and consists of a series of practical seminars and workshops. For more information and video and audio content from this series visit http://www.artscouncil.org.uk/digitalcapacity
https://wn.com/Ollie_Brock_Re_Imagining_The_Literary_Essay
Writing the Literature Review (Part One): Step-by-Step Tutorial for Graduate Students

Writing the Literature Review (Part One): Step-by-Step Tutorial for Graduate Students

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  • Duration: 5:22
  • Updated: 28 Jun 2010
  • views: 757075
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Take the mystery out of this academic assignment. All you do is: (1) Gather the summaries of your sources. (2) Put the summaries in groups based on theme. (4) Write a paragraph on each group of sources with transitions between each source. 4. Add introduction and conclusion paragraphs. You're done! For examples of previously written literature reviews, see: http://libguides.uwf.edu/c.php?g=215199&p=1420828
https://wn.com/Writing_The_Literature_Review_(Part_One)_Step_By_Step_Tutorial_For_Graduate_Students
Literary Festival 2011 - This House Believes that the Future of Rights is Left not Right

Literary Festival 2011 - This House Believes that the Future of Rights is Left not Right

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  • Duration: 1:26:08
  • Updated: 21 Feb 2011
  • views: 944
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Speakers: David Davis MP, Professor Conor Gearty Chair: Professor Francesca Klug This event was recorded on 17 February 2011 in Wolfson Theatre, New Academic Building For the past twenty weeks Conor Gearty has been writing a collaborative book online, at www.therightsfuture.com, with an essay appearing weekly alongside regular longer items and occasional brief remarks on current affairs, with each post being open for comment from the general public. Many have replied with dedication and commitment. The result is a series of essays, discussions and critical engagements addressing such issues as the meaning of human rights, the relationship between human rights and political action, and the role of religion in human rights. Essays have included 'Do trees have rights?' and 'Up with the Unions!'. The project started with a manifesto and it will end with will end with this debate about what the right or best future for human rights might be. David Davis is Conservative MP for Haltemprice and Howden and is a noted defender of civil liberties. Conor Gearty is professor of human rights law at LSE and was for seven years the director of LSE's centre for the study of human rights. He has written many books on civil liberties and human rights, the next one being (with Virginia Mantouvalou) Debating Social Rights, published by Hart. He is also a Barrister at Matrix Chambers.
https://wn.com/Literary_Festival_2011_This_House_Believes_That_The_Future_Of_Rights_Is_Left_Not_Right
Keavy Martin: Indigenous Literature, Literary Theory

Keavy Martin: Indigenous Literature, Literary Theory

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  • Duration: 2:56
  • Updated: 14 Jan 2016
  • views: 188
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UAlberta and English and Film Studies professor Keavy Martin's research interests revolve around Indigenous literatures and literary theory, with a focus on Inuit literature and performance; Indigenous research methodologies; Indigenous languages; Indigenous literary nationalism and literary history; Aboriginal rights, treaties, and land claims; and the concept and practice of reconciliation.
https://wn.com/Keavy_Martin_Indigenous_Literature,_Literary_Theory
TRADE SECRETS: LITERARY AGENT

TRADE SECRETS: LITERARY AGENT

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  • Duration: 4:08
  • Updated: 04 Mar 2015
  • views: 1773
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So, you want to be a literary agent, or find out what they actually do? Juliet Mushens gives us a peek into what her job involves! Created as part of http://www.wbdteenfest.com
https://wn.com/Trade_Secrets_Literary_Agent
2017 PEN America Literary Gala: Publisher Honoree John Sargent, Macmillan

2017 PEN America Literary Gala: Publisher Honoree John Sargent, Macmillan

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  • Duration: 6:21
  • Updated: 26 Apr 2017
  • views: 365
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At the PEN America Literary Gala on April 25, 2017, at the American Museum of Natural History in New York, PEN America honors Macmillan Publishers CEO John Sargent for his fierce advocacy for the right to publish and for serving as a defender of publishers’ and authors’ intellectual property rights.
https://wn.com/2017_Pen_America_Literary_Gala_Publisher_Honoree_John_Sargent,_Macmillan
Literary Adaptation (A Love Story) English 1110 TTh

Literary Adaptation (A Love Story) English 1110 TTh

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  • Duration: 3:00
  • Updated: 05 Dec 2017
  • views: 7
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I do not own the rights to the pictures or the music. This is an assignment for My TTh English 1110 Class. Please do not sue me.
https://wn.com/Literary_Adaptation_(A_Love_Story)_English_1110_Tth
A Brief Introduction to Marxism

A Brief Introduction to Marxism

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  • Duration: 4:27
  • Updated: 02 Aug 2013
  • views: 629554
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This presentation looks at the basic idea of Marxism, specifically the conflict between the different classes in society.
https://wn.com/A_Brief_Introduction_To_Marxism
Padmapriya and Sabnam Hashmi on human right's in India | KLF 2018

Padmapriya and Sabnam Hashmi on human right's in India | KLF 2018

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  • Duration: 57:45
  • Updated: 20 Feb 2018
  • views: 117
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Padmapriya in conversation with Sabnam Hashmi: The State of Human Rights in Today’s India
https://wn.com/Padmapriya_And_Sabnam_Hashmi_On_Human_Right's_In_India_|_Klf_2018
HOW TO MAKE IT as a Literary Agent (Top 5 Tips - Cathryn Summerhayes, WME)

HOW TO MAKE IT as a Literary Agent (Top 5 Tips - Cathryn Summerhayes, WME)

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  • Duration: 6:03
  • Updated: 16 Apr 2013
  • views: 2716
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Part 1 of 'Secret Tips' for those wanting to be an intern/apprentice in the literary agent field, with big cheese at WME, Cathryn Summerhayes. For more industries go to http://theintern.co.uk Cathryn Summerhayes http://www.wmeauthors.co.uk/ P.S. Apologies for the audio - the mic failed & the air con drowned everything out! But if you listen closely you'll still be able to hear the pearls of wisdom fall out! Enjoy Dillon Khan http://twitter.com/dillonkhan Cathryn has been a literary agent at WME since November 2006. She works alongside WME's New York agents selling UK rights for high-profile US clients such as Anita Shreve, Matthew Pearl, Jed Rubenfeld, Stephen Dubner & Steven Levitt, Kathy Reichs, Alice Munro, Karen Thompson Walker and Curtis Sittenfeld. Cathryn has a burgeoning stable of her own authors, including Richard Milward, the 23 year-old first-time novelist of Apples, who has been described by the Financial Times as 'the JD Salinger of our time'; Clare Wigfall, whose critically-acclaimed short-story collection, The Loudest Sound And Nothing won the 2008 BBC National Short Story Award; David Whitehouse, whose Bed won the inaugural To Hell With Prizes this year and who has just been awarded the Betty Trask Award; Naomi Wood author of The Godless Boys and the soon to be published Mrs Hemingway and winner of the inaugural Eccles Foundation scholarship through The British Library and Deborah Kay Davies, winner of Welsh Book of the Year 2009. She represents several young male voices including Joe Stretch, Chris Killen and Phil Wilding. She recently closed major deals for comedian Micky Flanagan and music icon Jessie J. Prior to working at WME, Cathryn worked at David Godwin Associates and David Higham Associates, and before that, at Colman Getty PR, where she coordinated a number of high-profile events, including the Man Booker Prize and the Samuel Johnson Prize. Cathryn also coordinates the Literary Tent at Camp Bestival and is involved in both the Port Eliot Festivals and Edinburgh Festivals.
https://wn.com/How_To_Make_It_As_A_Literary_Agent_(Top_5_Tips_Cathryn_Summerhayes,_Wme)
Literary Agents & Scouts Centre (LitAg) of the Frankfurt Book Fair 2014

Literary Agents & Scouts Centre (LitAg) of the Frankfurt Book Fair 2014

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  • Duration: 1:34
  • Updated: 27 Oct 2014
  • views: 1404
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The trade in rights, the procurement of titles for translation, the licensing of works for audio book adaptations and suchlike - these activities make up the core business of the Frankfurt Book Fair participants. The content business at the Frankfurt Book Fair is focusing increasingly on value addition based on crossmedial approaches to content, projects and book characters, as well as the licensing of brands and characters, both into and out of the publishing world. More: http://www.buchmesse.de/en/Focus_on/rights/
https://wn.com/Literary_Agents_Scouts_Centre_(Litag)_Of_The_Frankfurt_Book_Fair_2014
What is LITERARY AGENT? What does LITERARY AGENT mean? LITERARY AGENT meaning & explanation

What is LITERARY AGENT? What does LITERARY AGENT mean? LITERARY AGENT meaning & explanation

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  • Duration: 4:06
  • Updated: 13 Aug 2016
  • views: 119
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What is LITERARY AGENT? What does LITERARY AGENT mean? LITERARY AGENT meaning & explanation. A literary agent (often synonymous with "publishing agent") is an agent who represents writers and their written works to publishers, theatrical producers, film producers and film studios, and assists in the sale and deal negotiation of the same. Literary agents most often represent novelists, screenwriters and non-fiction writers. They are paid a fixed percentage (usually twenty percent on foreign sales and ten to fifteen percent for domestic sales) of the proceeds of sales they negotiate on behalf of their clients. Literary agents exist largely to provide services to authors. These services include connecting the author's work with appropriate publishers, contract negotiation, ensuring payment of royalties, and acting as a mediator if there are problems between the author and the publisher. With the help of Agents especially young authors are able to get known by the public. Agents also assist publishing houses and others in expediting the process of review, publication, and distribution of authors' works. Many well-known, powerful, and lucrative publishing houses (such as the Big Five) are generally less open than smaller publishers to unagented submissions. A knowledgeable agent knows the market, and can be a source of valuable career advice and guidance. Being a publishable author doesn't automatically make someone an expert on modern publishing contracts and practices, especially where television, film, or foreign rights are involved. Many authors prefer to have an agent handle such matters. This prevents the author's working relationship with his or her editor from becoming strained by disputes about royalty statements or late checks. Another frequent function of the agent is often that of counselor, advising an author on various aspects of how to make writing a paying proposition on a timely basis. Literary agents are often very experienced members of the publishing industry who usually transition from years of working in the industry before moving on to being agents. Though self-publishing is becoming much more popular, literary agents still fulfill the role of acting as the gatekeepers to the publishing world. Literary agencies can range in size from a single agent who represents perhaps a dozen authors, to a substantial firm with senior partners, sub-agents, specialists in areas like foreign rights or licensed merchandise tie-ins, and clients numbering in the hundreds. Most agencies, especially the smaller ones, will specialize to some degree, representing authors who (for example) write science fiction, or mainstream thrillers and mysteries, or children's books, or highly topical nonfiction. Very few agents will represent short stories or poetry. Legitimate agents and agencies in the book world are not required to be members of the Association of Authors' Representatives (AAR), but according to Writer's Market listings, many agents in the United States are. To qualify for AAR membership, agents must have sold a minimum number of books and pledge to abide by a Canon of Ethics. Effective professional agents often learn their trade while working for another agent, though some cross over to agenting after working as editors. Legitimate agents do not charge reading or other upfront fees (e.g. retainers), or bill authors for most operating expenses. They also will not place their clients' work with a vanity or subsidy press.
https://wn.com/What_Is_Literary_Agent_What_Does_Literary_Agent_Mean_Literary_Agent_Meaning_Explanation
Deaf Politics: Literary Expressions of Ethnocide Abstract

Deaf Politics: Literary Expressions of Ethnocide Abstract

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  • Duration: 5:01
  • Updated: 10 Feb 2015
  • views: 453
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This abstract in International Sign is for the 7th International Deaf Academics and Researchers Conference: http://deafacademics2015.com/call-for-abstracts/ This is the English version of the abstract: Deaf Politics and the Right to Life: Literary Expressions of Ethnocide “No one suggests the safest cure. A change of heart,/a tender understanding, a pair of hands signing.” Raymond Luczak’s “How to Cure Deafness” This talk looks at the power of literature in fostering a Deaf bioethics and dismantling harmful schemas about Sign Language Peoples (SLPs). My research methodology derives from cognitive literary studies. I examine how the cognitive processes involved in reading fiction’s imagined dystopic futures, which bring about “The End” of SLPs, affects perspectives on group rights for deaf communities. Schema critic Mark Bracher’s Literature and Social Justice: Protest Novels, Cognitive Politics and Schema Criticism inspires my presentation on Deaf literature and our cognitive processes; the presentation derives from my dissertation, “Transatlantic Deaf Literature and the Human Rights Claims of Sign Language Peoples.” Why study Deaf literature? I argue that the urgent political claims of texts like American writer, Karawynn Long’s short story, “Of Silence and Slow Time” (1995), British novelist, Nick Sturley’s Milan (2003), British filmmaker, Ted Evans’ The End (2011), and British poet, Donna Williams’ “When the Dead are Cured” (2013) speak to the “in-between” area of Deaf literature, Deaf Studies, and Deaf politics. This “betweenness” positions Deaf literature as a bridge between disability studies and ethnic studies. From the United Nation’s Convention on the Rights of People with Disability (UNCRPD) to arguments against ethnocide, Deaf politics involves grappling with the group identities of both disability and ethnicity. In examining the “betweenness” of Deaf politics, I find that Long’s “Of Silence and Slow Time” is a paradigmatic text—showing us how the Deaf ethnic contends with audist beliefs about the “undesirability of Deaf lives.” This story presents a future state undergoing scientific ethnocide, the deliberate destruction of an ethnic group. The state’s control over the reproductive lives of Deaf women contributes to cultural genocide and demonstrates the undesirability of “defective” deaf lives. All of the aforementioned authors present bioethical concerns about linguistic genocide, cultural genocide, and/or ethnocide in stories that imagine the end of SLPs. In doing so, they consider the implications of the ideology of ability, defined by Disability Studies scholar, Tobin Siebers, which necessitates the eradicating of deafness in the medical industry’s centuries-long search for a “cure”—a cure that some may say has been achieved by cochlear implants and that others say is ever closer with new genetic engineering laws. The authors above offer an imaginative take to the challenges of Deaf futures, which enables the activation of cognitive processes that can “produce lasting, socially transformative psychological changes in readers” (Bracher ix). Because the authors present the search for a cure as a eugenic campaign in modern form, readers that practice schema criticism have the power to correct faulty cognitions, which, according to Bracher, is key to reducing injustice. It is my hope that, from this talk, SLPs and their allies can learn from the successes and limits of various strategies of resistance as we work to promote a deaf bioethics.
https://wn.com/Deaf_Politics_Literary_Expressions_Of_Ethnocide_Abstract
How to Copyright Your Literary,Dramatic, Musical and Artistic Work

How to Copyright Your Literary,Dramatic, Musical and Artistic Work

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  • Duration: 5:26
  • Updated: 30 Oct 2013
  • views: 703
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http://www.intellectualpropertystore.com The important facts you need to know about how to copyright your literary, dramatic, musical and artistic work. So what is a copyright? A copyright gives you exclusive rights to original works of authorship. You can use copyrights to protect poems, novels, books, movies, songs, photographs, art, web sites, computer software, and architecture. Copyright protection does not protect facts, ideas, systems, or methods of operation, although it may protect the way these things are expressed. Currently, it only costs $35 to file an application for registering your material for copyright protection at the U.S. Copyright Office, if it is done electronically. As a result, if you feel you have something of significant value, it's a no brainier to apply for registered copyright protection. The cost jumps to $65 if you submit an application by mail. When you file your application, you are required to submit two complete copies of the best edition within 3 months after a work is published for use by the Library of Congress. It takes about two months for the Office to process your registration. Regardless of whether you file an application to register for copyright protection or not, if you publish your work in the United States, you are required by law to submit two complete copies of the best edition within 3 months to the Library of Congress after a work is published. Foreign publishers are required to submit one copy. Failure to comply can result in a significant fine. Copyrights can be a very valuable asset, especially if you have a best selling novel, a blockbuster movie, a top forty hit or a popular software program or game. Rights to your Copyright can be sold outright or licensed to a person or a business. If you are contemplating selling or licensing your copyright, IntellectualPropertyStore.com is an excellent website for accomplishing this goal. When you place a listing on this site, you can use narratives, pictures and movies to pitch the commercial marketability of your copyrighted material. This is a very powerful and timesaving way to either sell it outright or license it. http://youtu.be/Opv0gyzHfBs
https://wn.com/How_To_Copyright_Your_Literary,Dramatic,_Musical_And_Artistic_Work